Come Back Together
with TampaRep and
HCC Ybor
Season Sponsors:
The Gobioff Foundation
The Board of Directors of
Preschool Experience, Inc.
Hillsborough County
Board of County Commissioners
Hosted by:
HCC Ybor Performing Arts
Ticketing Sponsor:
Russell Buchan
Additional Sponsors:
DesignOne Jewelers
Anonymous
Costume & Prop Assitance:
Feld Entertainment
Francis Wilson Playhouse
Ruth Eckerd Theatre
Patel Conservatory
freeFall Theatre
Stageworks Theatre
ThinkTank Theatre
Berkeley Preparatory School
THE ELEPHANT MAN is presented by arrangement with Concord Theatricals on behalf of Samuel French, Inc. www.concordtheatricals.com
SETTING
1884-1890. London. One scene is in Belgium.
RUNNING TIME
1 hour 40 minutes with one intermission
A NOTE FROM THE DIRECTOR:
“‘We study history so that we can learn from our mistakes and create a better future for ourselves and for our descendants. So often, as we look back, we find.…“ (CLICK TO CONTINUE READING)
Creative Team
Playwright |
Bernard Pomerance |
Director |
Emilia Sargent |
Scenic & Projection Designer |
Jim Sorensen |
Lighting Designer |
Keith Eisenstadt |
Costume Designer |
Mary Kraack |
Associate Costume Designer |
Sofia Pickford |
Sound Designer |
Georgia Mallory Guy |
Movement Coach |
Matthew Belopavlovich |
Dialect Coach |
Ami Sallee |
Stage Manager |
Lindsay MacConnell |
Assistant Stage Manager |
Grant Sparr |
Dramaturg |
Connie LaMarca-Frankel |
Carpenters |
Paul McColgan, Joe Smith |
Scenic Painter |
Julia Rifino |
Programmer |
Steve Kraack |
Stitchers |
Gail Merritt, Emily Hutchcraft |
Run Crew |
Adeline Richardson |
Cast
John Merrick |
Paul Potenza |
Frederick Treves |
Christopher Marshall* |
Mrs. Kendal / Pin Manager |
Georgia Mallory Guy* |
Carr Gomm / Conductor |
Ami Sallee |
Ross / Bishop / Will |
Don Walker |
Lord John / Police / Snork |
Matthew Belopavlovich |
Pinhead / Sandwich / Alexandra |
Bridget Bean |
Pinhead / Police / Duchess |
Maya Quiñones |
Cellist |
Rose Mallare |
* denotes membership in Actors’ Equity Association, the union representing professional actors and stage managers in the United States.
A NOTE FROM THE DIRECTOR:
“‘We study history so that we can learn from our mistakes and create a better future for ourselves and for our descendants. So often, as we look back, we find.…“ (CLICK TO CONTINUE READING)
Advertisements
